Anyone looking at the blog will see a big gap this year in published blog posts. Things went off course for me when, in January, I volunteered to do the homeowners association newsletter. I’d written newsletters before, I knew how to tweak my antique Microsoft Publisher program and make pretty PDFs to upload rather than print, and I could set my own schedule. How hard could it be?

What I learned (again) is that me splitting my writing focus isn’t something I do very well. Although both projects involve writing (i.e., typing), real estate legal stuff for a newsletter is a different critter than mystery-writing legal stuff for a story. I was jumping back and forth between subjects, which wasn’t good for either of them.

Now add in the presidential campaign. I’m not actively involved in campaigning, but oh, my goodness, where did the time go?

Now that the election is winding down (one hopes), I’m slowly righting my fictional writing ship that had foundered and I’m getting back on course. The short story I was working on is nearing completion (just a short story?!?) so that’s one more brick in that story wall. Me not being a natural born killer made sorting out the story’s howdunnit challenging. I thought that all my years of reading mysteries and watching detective programs had given me a good grounding in fictional crime. Sadly, writing mysteries is more difficult than reading and watching them.

While I’ve been nudging my fictional ship back on course, I’ve also assembled a nice little play-acting company of amenable, uncomplaining plastic actresses and actors courtesy of the talented and persnickety engineers at Playmobil. The detail of the accessories that come with the little actresses and actors is a great aid to memory and imagination.

And now, having taken a step in getting up after I’ve fallen down, on to completing the story.

 

The general setup for the stories:

The apartment building is to the left, with an office area in front of it. The office and its garages (which doubles as offices when needed) are in the center. The Border is behind them. Above it all is the castle on the hill, which also looks down on the church across from the office. The church bell takes getting used to for the story characters.

The apartment building is to the left, with an office area in front of it. The office and its garages (which doubles as offices when needed) are in the center. The Border is behind them. Above it all is the castle on the hill, which also looks down on the church across from the office. The church bell takes getting used to for the story characters.

 

Where the characters live

Although my stories rarely involve the family members of the characters, having someplace for the characters to live when they aren't in a scene adds depth to my thinking.

Although my stories rarely involve the family members of the characters, having someplace for the characters to live when they aren’t in a scene adds depth to my thinking.

 

 

Cold War Germany

The red and white barriers are reminiscent of the barriers that were on the actual border before the German Reunification. Off to the left is the train station -- track numbers, schedules, and a map -- which usually wasn't so close to the border, but my table top has limited real estate.

The red and white barriers are reminiscent of the barriers that were on the actual border before the German Reunification.
Off to the left is the train station — track numbers, schedules, and a map — which usually wasn’t so close to the border, but my table top has limited real estate.

 

 

Items my actresses and actors could use for mischief

Possible weapons

Possible weapons

 

Story scenes:

The picnic scene

The office is having a picnic for the U.S. Bicentennial. Naturally, because conflict is what drives fiction, a fight breaks out at the picnic.

The office is having a picnic for the U.S. Bicentennial. Naturally, because conflict is what drives fiction, a fight breaks out at the picnic.

 

The office scene

A colleague of my brown-haired main character tells her how he overheard what the red-head said. The colleague has his name taped on his back as the other characters do. That way, they don't get mixed up with each other.

A colleague of my brown-haired main character tells her how he overheard what the red-head said.
The colleague has his name taped on his back as the other characters do. That way, they don’t get mixed up with each other.

 

Finding the body

My main character (the brown haired character at the back) and her colleagues are surprised to find the missing man outside their office, lying in a stairwell near the road (the white stripes are a pedestrian crossing). The back wall of the "office" is open (it's a child's play set), so I had to put in a paper wall to ever so slightly increase the realism.

My main character (the brown haired character at the back) and her colleagues are surprised to find the missing man outside their office, lying in a stairwell near the road (the white stripes are a pedestrian crossing).
The back wall of the “office” is open (it’s a child’s play set), so I had to put in a paper wall to ever so slightly increase the realism.

 

Interlude after the body was found

The main character had errands to run. The other office members were left to talk to the police after the military police gave her permission to leave.

The main character had errands to run. The other office members were left to talk to the police after the military police gave her permission to leave.

 

No, I’m not giving away the ending.

When I’m writing a story, sometimes I get stuck. I’ll forget where my characters are in relation to each other. I’ll forget the exact sequence of events. I’ll forget where the characters are standing. I’ll forget how many people are even in a room.

When I have these lapses, I’m almost cheerful because that’s when I can legitimately play with some toys I (said I) bought for the grandkids — Playmobil playsets.

The two men on the (invisible) motorcycle are about to throw a Molotov cocktail at the car. My heroine, the woman on the balcony, will roust a colleague and they'll be finding fire extinguishers to put out the fire before the car can go up in flames.

The two men on the (invisible) motorcycle are about to throw a Molotov cocktail at the car. My heroine, the woman on the balcony, will roust a colleague and they’ll be finding fire extinguishers to put out the fire before the car can go up in flames.

 

I first found Playmobil toys in 1976 after we moved to Germany for the second time.  My husband and I gave our son two sets of them for Christmas.  In the years since then, the company has expanded their range of playsets so that people like me can now use them in ways the designers probably didn’t imagine. At the moment, I have a motorcycle policeman on order. In future, my characters won’t be riding invisible motorcycles.

I’m happy to say that when my little characters aren’t busy getting up to no good in my imaginary worlds, they’re happily inhabiting the more innocent stories of little children.